Wednesday, September 23, 2015

TIFF 2015: The Round-Up

I’m back from TIFF (the Toronto International Film Festival), where I caught about 35 films. Average film quality was high this year—even if, compared to past TIFFs, I didn’t encounter any mind-blowers like Beau Travail (1999, my first TIFF), La Captive (2000), Still Life (2006), Syndromes and a Century (2006) or RR (2008).

I'll soon be putting up a series of posts with impressions of the films. Meanwhile, here’s an overview.


Right Now, Wrong Then (Hong Sang-soo, South Korea)
The Other Side (Roberto Minervini, USA)
Arabian Nights vols. 1-3 (Miguel Gomes, Portugal)
Evolution (Lucile Hadžihalilovic, France)


The Treasure (Corneliu Porumboiu, Romania)
Invention (Mark Lewis, Canada)
Jafar Panahi's Taxi (Jafar Panahi, Iran)


In Jackson Heights (Frederick Wiseman, USA)
Office (Johnnie To, Hong Kong)
In the Shadow of Women (Philippe Garrel, France)
Night Without Distance (Lois Patiño, Spain)

Very Good:

The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers (Ben Rivers, UK)
Afternoon (Tsai Ming-liang, Taiwan)
The Forbidden Room (Guy Maddin/Evan Johnson, Canada)
High-Rise (Ben Wheatley, UK)
11 Minutes (Jerzy Skolimowski, Poland)


The Lobster (Yorgos Lanthimos, Greece)
Sector IX B (Mathieu Kleyebe Abonnenc, France/Senegal)
Minotaur (Nicolás Pereda, Mexico/Canada)
Bring Me the Head of Tim Horton (Guy Maddin/Evan Johnson/Galen Johnson, Canada)
The Event (Sergei Loznitsa, Ukraine/Netherlands/Belgium)
Francofonia (Alexander Sokurov, Russia)

Interesting, but Disappointing:

Murmur of the Hearts (Sylvia Chang, Taiwan)
Journey to the Shore (Kiyoshi Kurosawa, Japan)
Mustang (Deniz Gamze Ergüven, Turkey)
The Apostate (Federico Veiroj, Uruguay)

Low Point of the Festival:

Les Cowboys (Thomas Bidegain, France)

Films I Was Most Sorry to Miss:

Cemetery of Splendor (Apichatpong Weereasethakul, Thailand)
Mountains May Depart (Jia Zhang-ke, China)
No Home Movie (Chantal Akerman, Belgium)
Lost and Beautiful (Pietro Marcello, Italy)

Fascinating, Need to Revisit:

The Assassin (Hou Hsiao-hsien, Taiwan)
88:88 (Isiah Medina, Canada)

Most Thrilling Mise en Scène:

Office (Johnnie To, Hong Kong)
Evolution (Lucile Hadžihalilovic, France)

Best Scene:

Taxi driving class taught by South Asian instructor in Frederick Wiseman's In Jackson Heights.

Memorable Onscreen Appearances by Directors:

Jafar Panahi (Jafar Panahi's Taxi)
Tsai Ming-liang (Afternoon)
Guy Maddin (Bring me the Head of Tim Horton)
Sylvia Chang (Office)
Miguel Gomes (Arabian Nights)
Alexander Sokurov (Francofonia)

Best Pop-Music Soundtrack:

Arabian Nights (Miguel Gomes)

Most Narrative-Maximalist:

Arabian Nights (Miguel Gomes)
The Forbidden Room (Guy Maddin/Evan Johnson)
11 Minutes (Jerzy Skolimowski)
High-Rise (Ben Wheatley, UK)
In Jackson Heights (Frederick Wiseman, USA)

Best Essay on a Festival Film:

Leo Goldsmith in Cinema Scope on The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers.

* * *

Writings on films at the festival:

-- David Hudson has collected links to reviews.

-- Cinema Scope posted over a hundred reviews during the festival.

-- Danny Kasman and Fernando Croce's epistolary exchange.

-- Michael Sicinski and Jordan Cronk on the Wavelengths program at TIFF.

-- Several dispatches by Ignatiy Vishnevetsky.

pic: The Other Side (Roberto Minervini, USA)