Friday, May 29, 2015

The New Cinephilia



I'm happy to announce that my book, The New Cinephilia, is now out. It is part of caboose's Kino-Agora series, edited by Christian Keathley.

It can be ordered from caboose for $5, and from Amazon for slightly more. It is also available as a Kindle e-book from Amazon, although, given the lovely production design, I would recommend the print version over the e-version.

As is obvious from the prices above, caboose -- responsible for the recent, acclaimed translations of André Bazin's What is Cinema? and Jean-Luc Godard's Introduction to a True History of Cinema and Television -- is less a "business" than a pure labor of love for cinema.

The publisher is running a special offer for the next week: with each online purchase of the Godard volume, it is giving away four free titles from its Kino-Agora series, including three new releases in the series: Jacques Aumont's Montage, Timothy Barnard's Découpage and Frank Kessler's Mise en scène. Please see the Godard order page for details.

Thank you for reading!


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Recent online reads:

-- David Hudson has posted the list of award-winners at the 2015 Cannes film festival.

-- On Facebook, Dennis Lim put up this personal list:

Cannes Top 10. Very little separating the top 3, which towered over everything else.

1. Cemetery of Splendor (Apichatpong Weerasethakul)
2. Arabian Nights Vols 1-3 (Miguel Gomes)
3. The Assassin (Hou Hsiao-hsien)
4. The Lobster (Yorgos Lanthimos)
5. Mountains May Depart (Jia Zhangke)
6. The Treasure (Corneliu Porumboiu)
7. In the Shadow of Women (Philippe Garrel)
8. Carol (Todd Haynes)
9. The Other Side (Roberto Minervini)
10. One Floor Below (Radu Muntean)

Plus two remarkable artifacts: Actua 1 (Philippe Garrel, 1968) and Visit, or Memories and Confessions (Manoel de Oliveira, 1982).

-- Blake Williams' rank-ordered list of the 50 or so films he caught at Cannes. And Ignatiy Vishnevetsky filed several reports from the festival.

-- Catherine Grant rounds up the last two issues of [in]Transition.

-- Jonathan Rosenbaum, in a post on Pedro Costa's Ne Change Rien: "Any film that’s about listening, as this one will be [referring to a documentary film Jonathan once planned to make about jazz pianist McCoy Tyner], will also be about looking — predicated on the philosophy that the way one looks at musicians already helps to determine the way one listens to them."

-- 85 films by women about women of color, crowd-sourced by Ava DuVernay on Twitter.

-- I recently caught up with Elio Petri's remarkable Investigation of a Citizen Under Suspicion (1971). Here is a good essay by Evan Calder Williams on the film.

-- New issues of: Cineaste; and Film Comment. Also: Violet Lucca interviews Agnès Varda at Film Comment.

-- An old piece on David Lynch by Nathan Lee at Bookforum that I had missed: "Body Surface". (Via Sam Ishii-Gonzales on Facebook.)

-- "Visual Pleasure at 40: Laura Mulvey in Discussion".

-- A video of Vivian Sobchack's lecture "Stop + Motion: On Animation, Inertia, and Innervation," part of the Kracauer Lectures in Film and Media Theory in Frankfurt.

-- The Challenge of Surrealism, an upcoming book that collects the correspondence between Theodor Adorno and Elisabeth Lenk. (Via Frederick Veith on Twitter.)

-- A Tumblr page devoted to "all-male panels". Submissions (photos and screenshots) are invited. Also: examples of all-male bibliography in an academic work.

-- The new issue of the journal Postmodern Culture is online.

-- Sam Lavigne's fascinating website, "Greetings, Fellow Alienated Subject of Capitalism". (Via McKenzie Wark.)

-- "Stupid Shit No One Needs & Terrible Ideas Hackathon".