Monday, September 15, 2014

TIFF 2014: The Round-Up

I returned from Toronto last night, and will put up a couple of posts later in the week on some of the films I was able to catch there. Meanwhile, here's an overall round-up.


Two Days, One Night (Jean-Pierre & Luc Dardenne, Belgium)
Horse Money (Pedro Costa, Portugal)
Amour Fou (Jessica Hausner, Austria)


Hill of Freedom (Hong Sang-soo, South Korea)
The Look of Silence (Joshua Oppenheimer, Denmark/Indonesia)


The Princess of France (Matías Piñeiro, Argentina)
Jauja (Lisandro Alonso, Argentina)
Li'l Quinquin (Bruno Dumont, France)
National Gallery (Frederick Wiseman, France/USA)
Journey to the West (Tsai Ming-liang, France/Taiwan)
Force Majeure (Ruben Östlund, Sweden/Norway)
Alleluia (Fabrice Du Welz, France/Belgium)
Heaven Knows What (Benny & Joshua Safdie, USA/France)
Maidan (Sergei Loznitsa, Ukraine)

Good, But I Had Some Reservations:

Phoenix (Christian Petzold, Germany)
Voila L'Enchainement (Claire Denis, France)
Timbuktu (Abderrehmane Sissako, Mali)
Pasolini (Abel Ferrara, France/Italy)
Natural Resistance (Jonathan Nossiter, Italy/France)

Interesting, But Didn't Work For Me:

Eden (Mia Hansen-Løve, France)
Tales (Rakshan Banietemad, Iran)

Spellbinding But Category-Resistant:

Goodbye to Language (Jean-Luc Godard, France)

Disappointment of the Fest:

A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, Sweden)

Surprise of the Fest:

Alleluia (Fabrice Du Welz, France/Belgium)

Cried Out for Immediate Rewatching:

Goodbye to Language (Jean-Luc Godard, France)
Horse Money (Pedro Costa, Portugal)
The Princess of France (Matías Piñeiro, Argentina)

Shamelessly Wowed by a Star Performance:

Marion Cotillard in Two Days, One Night (Jean-Pierre & Luc Dardenne, Belgium)
Viggo Mortensen in Jauja (Lisandro Alonso, Argentina)

Best Non-Star Performance:

Arielle Holmes in Heaven Knows What (Benny & Joshua Safdie, USA/France)
Lola Dueñas in Alleluia (Fabrice Du Welz, France/Belgium)

Film That Really Messed With My View of a Director I Thought I Knew:

Li'l Quinquin (Bruno Dumont, France)

Best Scene:

Opening: The Princess of France (Matías Piñeiro, Argentina)
Closing: Phoenix (Christian Petzold, Germany)

Best Q&A:

Matías Piñeiro
Lisandro Alonso and Viggo Mortensen
Jean-Pierre and Luc Dardenne

Films I Most Regret Missing:

The Duke of Burgundy (Peter Strickland, UK)
Two Shots Fired (Martin Rejtman, Argentina)
La Sapienza (Eugène Green, France/Italy)
Letters to Max (Eric Baudelaire, France)

* * *

Recent Reading:

-- There's a brand new issue of the video essay journal [in]Transition, edited by Catherine Grant.

-- "Inside, Around and About Notorious," a chapter from Adrian Martin's 2006 PhD thesis, now available at 16:9. Also: two recent video essays by Cristina Álvarez López & Adrian: "Paratheatre Without Stages" (on Jacques Rivette's Out 1); and "Felicity Conditions: Seek and Hide" (on Fritz Lang's Secret Beyond the Door ...).

-- Tributes to Harun Farocki gathered by David Hudson.

-- Sight & Sound's "The Greatest Documentaries of All Time" poll.

-- An interview with Jean-Claude Carrière at Public Books.

-- A 60-page excerpt available on PDF from a recent book that collects global film manifestos, at Film Quarterly, via Neepa Majumdar.

-- "Phil Karlson Confidential" by Bill Krohn, at Kinoslang.

-- Erika Balsom on "cinema as a performing art," at Artforum.

-- Tony Zhou's 5-minute video, "A Brief Look at Texting and the Internet in Film".

-- I re-read Alexis Tioseco's moving letter to Nika Bohinc after listening to Lisandro Alonso talk about how news of their death inspired him to begin working on his new film Jauja.

-- Recent blog discovery: The Mongrel Muse, run by Tanner Tafelski.

pic: Two Days, One Night (Jean-Pierre & Luc Dardenne, 2014).